This Drifting Excrement Was Way Too Symbolic! It's the TV Letdowns of the Past Year.

As we reflect on the TV landscape of the recent year, a handful of shows stand out not for their excellence, but for their notable shortcomings. Ranging from cringe-inducing sequels to confusingly bad documentaries, here are the productions that left us scratching our heads or simply reaching for the remote.

And Just Like That

How to start with this love/hate follow-up? Plagued with dreadful writing, painful character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to find its footing. For a moment, as the final series began, it looked like it had at last hit its stride. Then arrived an episode centered on Seema’s natural deodorant. Little surprise the creator announced this would be the last season. It ended on a bum note; the lingering shot of Miranda’s toilet full of poo was just way too on-the-nose. Still, fans undeniably found joy picking apart every single “what on earth?” moment. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who couldn't release a little sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was practically the smallest of this drama's issues. The subject of a exceedingly uncommon zero star review, it was difficult to know where to begin enumerating the flaws. The laughably wooden writing? The mind-numbing glorification of affluence and consumption? The almost deliberate procession of cliches? Performances so bad they felt almost spiteful? Let’s just say “each and every one” and forget about this series again. Except, a new season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the legal troubles, domestic violence claims and parental failures, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d really have known it from this multi-part docuseries which chuckled along at Sheen’s various bouts of reckless excess while failing to tell us a single thing we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any sympathy this series might evoke should be reserved for the people who have had to suffer close contact with this charming but dismissive egotist.

The Iris Affair

Naturally we understood it was preposterous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of pure admiration for its leads … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

The Gangster Drama

Dodgy figures meeting in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many look a little old-fashioned now, but at least they didn’t endure the embarrassment of having to accommodate unconvincing accents. But there were many other problems. Primarily that it was just profoundly dull; a conflict over drug-selling territory between various cockney rogues which felt rather simplistic.

The Meghan Markle Series

Considering the degree to which she provokes the ire of certain ostentatiously angry commentators, it’s almost tempting to admire the Duchess of Sussex’s various ventures into quaint homemaking as deliberate statements. But then you view them and are compelled to concede that actually, they might have a point. It’s like watching a lifestyle magazine animated; a poster for evening drinks with ideas of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental platitudes and forgettable crafting “tips” you’ll not remember instantly. All supported by vast, mostly unearned wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about both Victoria Beckham and her journey with vocation, identity, self-worth. But for whatever reason, this three-part series opted not to say them. Rather, the viewing was like reading a sales brochure. She clearly has every right to bridle at what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any favours with this cagey letdown of a series.

The Inheritance

It should have been the next cultural phenomenon – except even more extravagant, with a glamorous star playing dead and a well-known personality overseeing her estate. What more could you want? As contestants battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s still too complicated to explain what exactly was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The series ended up reeking of a production that was straining desperately to emulate something far greater than it.

The Lena Dunham Romcom

How do you succeed a show that defined a generation? The pressure was immense for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The star seized the opportunity by the horns and was a delight to watch, embodying Jane Austen levels of romantic notions. But it was all very glossy and, ironically, was insufficient. Plus, the sheer amount of celebrity friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘patchy’.

Given the shrewd recruitment of gifted emerging comics, hopes were high. But sadly, most of it didn’t land. A particular sketch was a single joke milked to a husk but repeated in every episode. One star seemed too willing to slip into a familiar irate mode. The behind-the-scenes sketches, meanwhile, simply provoked the thought that they should probably have remained in there a while longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be treated sensitively. Instead, the series laboured awkwardly to find the right voice, lumbering from strangely jaunty, slightly mannered farce to ultimately, real-life horror. Twisted? Perhaps. A total mess? Absolutely.

The Maths Genius Thriller

We love the star … but did we believe him playing the greatest maths genius in history, a man so smart he’s on the brink of a breakthrough that could ruin society? No! This international thriller about government agencies targeting – and eliminating – intellectuals honestly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality notorious for sexual exploits as she prepared for her biggest challenge yet. What on earth would motivate her? What we craved was way more interrogation of her actual psyche, plus those of the men in the queue. They could at least have spoken to the now-famous mum who showed up to drag her son away from the queue. What we got was horrific shots and zero interrogation of her infamy whatsoever. And to think, the filmmaker has a teenage daughter too.

Lisa Rowe
Lisa Rowe

Lena is a Berlin-based software engineer specializing in AI applications and modern web frameworks, sharing her expertise through in-depth technical articles.