Lena is a Berlin-based software engineer specializing in AI applications and modern web frameworks, sharing her expertise through in-depth technical articles.
A group of six oddball but doughty kids encounter the path of a immense and fearsome supernatural evil that has infiltrated our realm from the deepest abyss of darkness. They are compelled to wage a lifelong battle fighting it, experiencing one nightmare after another in the ordeal.
This outlines the narrative, roughly, of the master of horror’s seminal work It (arguably his finest; no arguments). It is also the plot of King’s son Joe Hill’s latest horror doorstopper, in which a close-knit group call forth the age-old, deeply sinister serpent the Dragon King from the Endless Night to assist them in vanquishing some antagonists. Needless to say, their otherworldly invocation has unintended consequences.
Joseph Hillström King launched his profession going to great lengths to remain separate from his renowned parent, adopting the nom de plume he still uses today and eschewing in-person meetings with his agent (he bears a uncanny likeness to his parent). But in this latest novel, he fully acknowledges it. Certain passages that consciously reflect some of King’s most famous (that classic opening line); a moment that brings to mind a King plot point (a riddling contest). In this epic story, Hill is delighting in his heritage, and readers share in the joy.
Focusing on the companions: the majority are scholars at the made-up the esteemed institution in this northeastern locale. There’s Arthur, academic and gifted, deciphering ancient puzzles in his leisure hours; Colin, rich, sharp, and inclined to bulldoze those who oppose him; Donna and Donovan; the beautiful Allie. Additionally, Gwen appears, who isn’t their classmate, but assumes a vital role of their group as they dabble, partly convinced, somewhat doubtful, in the occult.
Our hero becomes, for reasons we don’t need to go into, compelled to pilfer prized manuscripts from his treasured institution’s archives by a group of neighborhood thugs. This devastates his scholarly soul, particularly as he’s forced to acquire the institution’s prized and chilling title: the journal of adept the historical figure (executed “for conspiring with dark forces in 1703”; the binding is fashioned from his hide). Our Scooby gang peruse the diary, realize they are able to call forth what the occultist details as a clever snake to assist Arthur with his blackmail problem – and occupy the subsequent narrative enduring the repercussions. King Sorrow will indeed rid them of those problematic neighborhood criminals, but they are required to pick a new sacrifice every twelve months or fall prey to the beast. As our protagonist states: “You invoke terrible forces, all you get is additional horrors.”
Covering a generation, Hill also moves with effortless ease through various literary forms: as the companions strive to manage the circumstances they find themselves in by, through diverse methods, picking people who are obviously evil to offer up, or hunting down ways to kill the dragon themselves, we transition from suspense to shadowy tale, covert operations to affectionate subplot to terror. One particularly memorable shift was to a adventure narrative, within the subterranean depths below Cornwall, a section tinged by JRR Tolkien that was gloriously terrifying.
We encounter trolls – those living under bridges and digital trolls, properly scary and expertly realized. There are magical swords and deceptions, breath-taking moments of courage and instances of dreadful evil, both earthly and otherworldly. It stands as a masterpiece: a horror novel that is above all a ode to the creative spirit, and to love and friendship. “We needed a story to believe and {now we’ve got one|presently we possess it|currently we hold it,” says the wealthy student as the companions assemble around a surface, getting ready to invoke their dragon to life with the strength of their collective will.
According to Joe Hill in his epigraph: “Hic sunt dracones”. Do not overlook this.
Lena is a Berlin-based software engineer specializing in AI applications and modern web frameworks, sharing her expertise through in-depth technical articles.