Lena is a Berlin-based software engineer specializing in AI applications and modern web frameworks, sharing her expertise through in-depth technical articles.
For those who has spent a long time living in rental properties, confronted by the same landlord-approved magnolia walls and yearning for adding some actual personality to their home, Pantone's new Colour of the Year might feel like a personal attack.
This time around, the influential color company has selected a shade of white as its premier hue.
To be precise, the shade is called Cloud Dancer – a white described as "elevated" and "airy" which "acts as a emblem of calming influence in a society rediscovering the value of introspection".
It represents the initial instance white has been chosen as the Colour of the Year, and it has generated significant controversy.
Per Pantone, Cloud Dancer "transcends mere pigment, it's a mindset" and embodies a shared yearning to decelerate, recalibrate and seek peace after years of aesthetic chaos.
But some commentators have branded the decision as "out of touch", suggesting that promoting sparse and pristine white spaces can seem far removed from the smaller, messier homes most people inhabit.
Some observers argue that positioning white as an ideal risks subtext related to race, creating unease amid current political and cultural conversations about inclusion and diversity.
Interior expert Chris Beaumont says the criticism transcends aesthetics, noting that white holds societal connotations and is rarely a neutral choice.
"The color white sends a message," he says, shaped by a decade of sparse star homes – most notably Kim Kardashian's stripped-back home – that came to symbolize "affluence, order and removal from disorder".
He elaborates that white is "not about inspiration but taking care not to cause upset", with Cloud Dancer representing "austerity, virtuous simplicity and the idea that impartiality signifies goodness".
The designer points to the pandemic as a pivotal moment in how people perceive their homes.
"Overnight they became our offices, refuges and sources of stability," he says, noting that against this backdrop, directing the Colour of the Year towards "further aesthetic barrenness feels rather out of step".
Rather than providing calm, he contends white now threatens to intensifying "a sense of bleakness", particularly when combined with harsh, sterile lighting.
Lara Clark, a Surrey based design expert, concurs and says Cloud Dancer "is not perceived as a colour" and is "firmly in the bin for me".
While it may work in extremely sparse or architectural spaces, she says pure white shades rarely create calm in everyday living spaces.
"An image of tranquility in a styled shoot can readily feel clinical at home," she clarifies.
"The color white may seem stark and unforgiving and you wouldn't wish your home to emit hospital vibes."
She adds that "homes should elicit happiness and feel inviting and lived-in, and this hue seems quite removed from that."
Beaumont hopes that homeowners will disregard the Pantone Colour of the Year in favour of "unabashed joyful interior design", using colour to express personality.
The vice president of the Pantone Colour Institute stated that people "have varied interpretations" to the meaning of the colour, but it was chosen as it "integrates perfectly with everything around it, providing a sophisticated impartiality that seems intentional and adaptable".
Since its launch in 2000, Pantone's Colour of the Year has become a significant trend indicator.
Previous selections have featured the hopefulness of a vibrant pink-orange, the calm confidence of a deep blue, the vibrancy of a bold pink-red, and most recently softer, emotionally driven tones like a soft peach.
These hues extend beyond trend forecasts - they appear in clothing lines, cosmetic products, home decor, packaging and even technology, shaping how products are marketed and how consumers imagine the year ahead.
A style and trend expert, says Cloud Dancer is a "beautiful choice" and while it may seem basic, "this specific hue feels gentle and elegant rather than severe".
In contrast to those who say the colour is boring, the expert sees it as "adaptable" and says it's best used in "sleeping quarters and communal spaces where you want a peaceful, calming atmosphere".
"Should you don't want to repaint, you can introduce the colour into a room with cushions, throws and curtains."
Interior designer Another professional says although he was surprised that Pantone's pick this year was "fundamentally the lack of pigment", it is a bit like vanilla ice cream, in that "it is universally accepted but it's not a top choice".
He can see its benefits, explaining that white can work particularly well as a backdrop for architectural details like wall molding and curved entries which is a "growing trend in contemporary houses".
In fashion, white has long been a basic rather than a bold declaration and as a Colour of the Year it presents a different challenge to designers more familiar with bold shades.
Fashion consultant Oriona Robb says elevating white seems "less about novelty and more about intention", reflecting a movement towards sophistication after years of trend overloads.
"The color white compels designers and wearers alike to focus on shape, scale and craftsmanship, there's really nowhere to hide," she explains.
But she continues that it also carries presumptions around body confidence, lifestyle and advantage, saying: "If white is viewed as something only a narrow group of people can wear well, it becomes divisive."
She says the industry is already cognizant of the uncomfortable undertones associated with celebrating white as an aspirational standard, especially amid ongoing discussions about inclusion and approachability, and the true challenge will be whether "brands address that complexity honestly, or simply glamorize the colour".
Style consultant Katie Malik concedes the choice at first surprised her, considering Pantone's history of vibrant hues, but says it mirrors a genuine shift and fits within a broader sentiment of "quiet luxury
Lena is a Berlin-based software engineer specializing in AI applications and modern web frameworks, sharing her expertise through in-depth technical articles.